"What kinds of compositional techniques can be used to create a music that recognizes the emergence and the potential of becoming found in a digitally-based or telematic interaction with art and media?" Composer and sound artist Nobert Herber explores the field of computer games and interactive media where the line between "composition" and "instrument" is increasingly blurred.

"software art is conceptual art's acknowledged son" is the hypothesis around which art critic and curator Domenico Quaranta builds his anyaliseis on genealogy of software art: "Is the history of conceptual art relevant to the idea of software as art?"/"Is the idea of software as art relevant to the history of conceptual art?"

"It is possible to trace one history of electroacoustic music through the analysis of the role played by dissonance. We can also use the concept of noise as a guide through the evolusion of the music that makes usse of electroacoustic technologies." Composer, musicologist and curator Miguel Álvarez Fernández deconstructs the reading of history of electroacoustic music.

"Today sampling and collaborative authoring enlivened in the digital environment seem to be on their way to liquefy the state of writing once again, opening our eyes to another mode of authorship." With sampling as starting point, artist Sachiko Hayashi relocates several issues relevant to the culture of digital media.

Sound artist Art Clay's "China Gate" is a music project which utilises GPS to coordinate musicians whose physical presences are dispersed throughout a city. By "using wearable computing technology within global ubiquitous networks as an art tool," "China Gate" tries to open up civic space for "one of the most important functions of public performance: social interaction. "

"New media artists, notably net artists, analyse the issue of time. Their field of interest includes time as a whole, their own time and the viewer’s time....If there is a navigable cyberspace – does it imply navigable time as well?" New Media Art historian Ewa Wojtowicz examines net art practice that employs time from various perspectives.